Mom. Playwright.

As an attorney turned stay-at-home mom in New Hampshire, Susan Chamberlin has traveled a path to playwriting with more dramatic twists and turns than even I can claim.

Thanks to Jeanné McCartin at Seacoast.com for her feature on Chamberlin. I’ve found yet another heroine for whom I’m cheering. Read it and be inspired.

If you’re in the Portsmouth, NH area this weekend, show support and see George and Bill are Friends and Lions and Hyenas–two of Chamberlin’s works appearing in Late Night Confessions II at The Players’ Ring–Friday, Saturday and Sunday.

Go mom playwright Chamberlin, go!

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The Fund for Women Artists Theatre Funding Newsletter, Vol. #45 was made available today. Thanks, Carrie and Martha!

For a brief overview of the Fund, check out this 8-minute video. If you fancy yourself an artist, join the community! And don’t be afraid to toss a few dollars into the karma well.

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Thumbing through the latest issue of American Theatre, while the little ones napped, I noted the In Memorium column for late mom playwright (and actress) Oni Faida Lampley, written by (mom?) playwright Darci Picoult.

I was moved by its poignancy. It was clearly written by a friend who knew and loved Ms. Lampley, who lost a seemingly valiant battle against breast cancer. Though being new to the scene I’ve never personally experienced or encountered Ms. Lampley’s work, it is clear from the essay that she was a talented, witty and warm woman who touched many a life. Tough Titty, the story of a family facing cancer, was a work she wrote while dealing with her illness.

According the column, Ms. Lampley turned 49 on April 15, and died thirteen days later. The following day, a memorial was held at New Dramatists in New York, where family and friends packed the space and spilled out into the hallway. Her son spoke last after many and said, “My mom was the busiest lady I knew. She never stopped working.”

I couldn’t help but be simultaneously inspired and pained by his words. I know I want to do something to reach out to him, as my heart aches for him and his younger brother as they continue on in this life without the tangible presence of their mother.

So in the spirit of good mama karma, I intend to sow a seed into their lives, knowing in some way that their mom will appreciate it.

Click here for more details on Ms. Lampley’s life and the scholarship fund established for her sons Olu and Ade. Ask your mom playwright self what she might want to do with this information.

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“someone fell in love with someone they weren’t supposed to . . .”

Now THAT’S a premise! And it’s central to Lydia R. Diamond’s Stick Fly, a play that explores issues of race and class.

Read more about her work and her mom playwright journey in this interview with Washington DC-based theatre critic Nelson Pressley, carried by The Shepherdstown Observer. Stick Fly is one of five plays that will be running at the Contemporary American Theater Festival, July 9-August 3.

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With this momentous first post, I want to share with you this video interview with Stefanie Cloutier and Lisa Rafferty (Sheila Eppolito did not appear), the kindred spirits behind The MOMologues. Hope you’ll enjoy it as much as I did. All together now, “It’s not just me! It’s not just me!”

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